Provided by courtesy of Infinity Foundation, Princeton, New Jersey

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Fox, Karen Perspectives: White Journal of Experiential Fox, Karen. Perspectives: White

Awareness and Our Education; v15 n3 p26-30 Awareness and Our Responsibility to

Responsibility to End Nov 1992. End Racism. Journal of Experiential

Racism. Education; v15 n3 p26-30 Nov 1992.

Franks, Myfanwy Crossing the Borders of Ethnic and Racial Studies. Franks, Myfanwy 2000. “Crossing the

Whiteness? White Muslim 23, 5, Sept, 917-929 , 2000 Borders of Whiteness? White Muslim

Women Who Wear the Women Who Wear the Hijab in Britain

Hijab in Britain Today Today.” Ethnic and Racial Studies. 23,

5, Sept, 917-929.

Fraser, James W. Two who Said 'No' to Race Traitor, No. 1, Winter Fraser, James W. Two Who Said 'No'

Whiteness: Boston Public 1993, p. 9-20. to Whiteness: Boston Public Schools,

Schools, 1962-1975. 1962-1975. Race Traitor, No. 1, Winter

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Friedman, Jonathan The Political Economy of Culture & History, 1990, Friedman, Jonathan. The Political

Elegance. Vol. 7, pp. 101-125. Economy of Elegance. Culture &

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Furth, Isabella Manifest Destiny, Manifest Arizona Quarterly 55.2 Furth, Isabella. "Manifest Destiny,

Domesticity, and the Leaven (Summer 1999): 31-55 Manifest Domesticity, and the Leaven

of Whiteness in Uncle of Whiteness in Uncle Tom's Cabin.”

Tom's Cabin Arizona Quarterly 55.2 (Summer 1999):

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Gabriel, John What Do You Do When Screen. 37.2 (Summer Gabriel, John. “What Do You Do When

Minority Means You? Falling 1996): 129-51 Minority Means You? Falling Down and

Down and the Construction the Construction of ‘Whiteness.’”

of "Whiteness" Screen. 37.2 (Summer 1996): 129-51.

Gaine, Chris “Anti-Racist Education in Race Ethnicity and Gaine, Chris. “Anti-Racist Education in

‘White’ Areas: The Limits Education 3 (2000): 65–81 ‘White’ Areas: The Limits and

and Possibilities of Change Possibilities of Change.” Race

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Gaines, Jane “White Privilege and Looking Screen 29.4 (Autumn 1988): Gaines, Jane. “White Privilege and

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Gender in Feminist Film Feminist Film Theory.” Screen 29.4

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